In beautiful, wide-ranging post, Sybil at Art of the Spirit offers this about the place of the artist in the world as translator of the sou:
What a brilliant reminder of how vital it is to respect and heed artists for the vital services they perform in our societies.

Today I am particularly struck by Sybil’s words because I feel like my walk across campus was like passing through a gauntlet of emotions. Every pair of students and every cell phone carrying individual I passed was engaged in heated conversation. There was no single, energizing event happening at the college that had everyone excited. People were just recounting their own dramas, all of which sounded like they were full of angst and strife.
A girl steamed angrily because she had been swindled on a car that had already broken down. Another describing how she had reason to storm from someone’s bed that morning. A couple looked to be in the middle of a break up on the library steps. Everywhere were words upon words meant to describe the darkness,anger, and pain mentioned above.
All of these stories seemed too fresh to yet get sublimated into art. The only creative expression was the art of venting. I am of two minds over whether venting equals the necessary release of emotions or an unproductive way to make sure the whole world cries with you. Regardless of what judgments I may have wanted to passed as I walked through all this venom and exegesis, all sorts of unpleasant was reality flying about.
No doubt, there is great creative potential to be uncovered on the other side of grief or getting really pissed off. I guess the magnitude of one’s creative power can be measured in how quickly that the alchemy can be performed that turns all that darkness into soul-enriching gold.
In my life, there has been a time for emotions – be they joy or grief, and then a time to of quietude to distill those feelings into a cocktail of (hopefully) artful words. Admittedly, the second stage, when I make something enduring from those great waves of feeling has always the optional stage. If I did get around to turning it all my real life drama into inspired creations, it all happened much later when I felt the dust had settled enough to make way for artistic inspiration.
But as I listen to all the frenzied conversations around campus, I realize how much energy is being released (wasted?) in such sessions. What if I decide to harness my own such energy and choose to pour it onto the page? As fast as possible, not days later when I have already bored friends with my outrage. I don’t want this to happen at the expense of living in the moment, but I wonder how this approach would color my waking life. Can it help me cultivate the perspective of a creator, one who is always mining for the material to engage the next fit of creative fancy?
And then I wonder how my relationship with language and communication might change if I started reserving a portion of my passion that so often squandered on gossip and indignation. Would it help me to realize that words matter? Would it give new potency to all that I do chose to voice?
At first, implementing this change may mean that I am writing down my frustrations rather than speaking them aloud. Eventually though I am dreaming that the magic that is art may begin to invade and I will find a way to enact some of what Sybil describes, to help locate elation and defeat in the “universal experience.”